Equalization is one of the most important types of processing. There are a lot of options when you’re looking into the best EQ plugins, even though there are a lot of free EQ plugins available to you.
Some of them sound great, but there are a lot of advantages for choosing officially licensed versions. You get access to updates as they’re released and can lean on manufacturer support if you experience any issues.
If you’re looking for some of the best paid EQ plugins, these are some of our favorites!
Most unique EQ plugin: Soundradix SurferEQ2
It’s likely you’ve never come across an EQ that can do what SurferEQ can. It’s billed as a “pitch-tracking EQ plugin”. How it works is really unique. It tracks along with monophonic sources and moves the chosen band points with it!
Using synthesizer filters it maintains the timbre signature of the source. Static EQs have always fallen a little short when it comes to how dynamic sources can be, especially in something like a vocal.
This dynamic style of EQ adapts in real-time and maintains the balance of the sound. You really have to hear it to believe it. And there’s nothing static about it.
Best Neve EQ plugin: Arturia Pre 1973
Neve’s 1073 unit is a favorite when it comes to preamp and EQ combinations. Using Arturia’s proprietary TAE analog modeling, this plugin does an excellent job of bringing the legendary hardware into the digital realm.
It’s got 60dB of continuous input gain, and an automatic gain control alters the output volume based on how the input gain is set. Switchable transformers from Carnhill and Marinair give you different voicing options.
It comes in one and two channel versions, so you can use it on single sources, busses, even the master. The two channel version can be used in left-right or mid-side modes.
Visually and operationally it functions just like you’d imagine and provides the thick, warm British sound the mastermind Rupert Neve pioneered all those years ago.
If you’re looking to see if a Neve-style EQ is right for you, check out our list of free EQ plugins.
Best API EQ plugin: Waves Audio API 550A+B
Like Neve, API is a company that has multiple legendary EQs to their name. As pioneers of the 500 series, their 550A and B models are some of their most popular. Waves Audio combined them in this plugin to give you the best of both worlds.
The 550A is a 3-band EQ with five pre-selected center frequencies per band. There is a maximum of 12dB boost and cut on each, stepped in 2-3dB increments. At +30dB, you don’t really have to worry about running out of headroom. Proportional Q widens the bandwidth at lower settings and narrows at higher settings.
The 550B sports 4-bands with seven frequency centers on each ranging five octaves. It’s got the same repeatable, reciprocal filtering of the 550A and the same amount of boost/cut and all bands offer shelf or peak EQ styles. 30dB of headroom gives you plenty of sonic space.
Both of these classic equalizers are crazy affordable, so you can finally put the characteristic API sound in your virtual rack.
Best SSL EQ plugin: Brainworx bx_console SSL 4000
The SSL 4000 E is one of the most cherished recording consoles in history and a favorite of world class mixing engineers. The EQ section has a classic sound character that’s tight, smooth, and in-your-face that works for any genre of music.
Brainworx’s take on this legendary console accurately emulates the signal path thanks to their Tolerance Modeling Technology (TMT). This proprietary approach offers 72 different channel emulations and saturation, just like the real hardware!
It’s got switchable dynamics sections between the E and G console styles, and selectable EQ modes that go from “brown”, which is a more colorful style of filter, and “black” which is surgical and cleaner.
There are other SSL plugins, but they can’t stand up to the authenticity and complexity of this one. Like the marketing says, “the only true console emulation, everything else is just a channel strip“.
Best mastering EQ plugin: iZotope Ozone 10 EQ
iZotope makes some of the best mastering plugins in the business. Best practice dictates that when using equalization in mastering you should make very gentle moves. Of course it’s dependent on the material, but with Ozone 10 EQ you can make the moves that you need to.
It includes two modules that each have eight bands with a variety of shapes and adjustable filters. The filter shapes include analog and digital, Baxandall for bass and treble, Proportional Q inspired by API designs, and shelving for Band, High, and Low.
Truly meant for mastering, you can alter the EQ at the center of the mix independently from mid/side. The GUI is sleek, providing good metering that shouldn’t present too much of a learning curve.
Best clean EQ plugin: FabFilter Pro-Q 3
Some EQs are meant to add their own character to the signal. Some are meant to be surgical tools that are clean and efficient. Pro-Q 3 is the latter. And FabFilter made a lot of updates in this third iteration.
It’s got Dolby Atmos support that lets you make EQ moves based on the individual speaker. The Overhauled Spectrum Grab feature lets you locate unpleasant peaks.
Frequency collision indication means you won’t get any more unpleasant band or slope overlap. And there are more than 10 band types to choose from.
Clean EQ sounds are what it does best, but if you want to add some analog flavor there is a Natural Phase mode. You can have up to 24 bands, and can even make frequency selections by note value in the Piano Roll view.
Best linear phase EQ plugin: Blue Cat Audio Liny
EQ is one of the most important types of audio processor. But due to the nature of how they work, sometimes they create phase issues with signals. A linear phase EQ is specifically designed to keep phase relationships in line.
Blue Cat Audio’s Liny is a customizable linear phase EQ with four shapes. The range is customizable +/- 40dB and works in left/right and mid/side modes. It’s great on mono and stereo sources like busses, even the master fader!
A high resolution spectral visual analyzer gives you an accurate readout in real time, and you can build the UI so you’re not seeing anything you don’t need. Automatic gain compensation helps with proper gain staging and you can trigger Liny with MIDI or automation.
It comes in all plugin formats too. Linear phase EQ doesn’t suit every situation, but if you’re looking to add one to your plugin arsenal this is one of the best!
What to consider when looking for an EQ plugin
Type of EQ
Understanding different types of EQs is critical. Parametric EQs are versatile and allow for precise frequency adjustments. Graphic EQs are simpler and often used for live sound.
Dynamic EQs respond to changes in the audio signal, making them great for complex sources. Linear-phase EQs avoid phase shifts, which makes them ideal for mastering.
By understanding what type of EQ you’re want you’ll be able to audition options more quickly to find the one that’s right for you.
Sound Character
Some EQs add character through analog emulation, while others are designed for surgical precision and transparency, so choose based on your needs.
Additional Features
Modern EQs often come with extra features like spectrum analyzers, mid/side (M/S) processing, or even dynamic capabilities. These can streamline your workflow and be a powerful addition to your mixing process.
FAQ
Do EQ plugins sound different?
It’s always been a hot debate in pro audio on if plugins could ever be comparable to hardware. These days plugins sound every bit as good as hardware. Many are very accurately modeled to represent hardware, and there are countless that have a sound all their own. Plugins can also do a number of things that hardware can’t.
What is the best EQ for vocals?
This is a loaded question. It depends on what you want to do. A lot of engineers and producers use multiple EQs on a vocal. Generally, something clean and surgical like the FabFilter Pro-Q3 is good for cutting out unwanted frequencies.
When it comes to boosting, you’ll usually want something that colors the sound like a Neve or API. The Pultec is a very unique EQ that adds some serious sonic character to any signal, and they work especially well on vocals. Using them is a technique in itself, but once you realize what they can really do you’ll want to use them every chance you get.
Which EQ plugin is best?
There really is no “best” EQ plugin. It all depends on the source signal you’re working with and how you need to equalize it. The general consensus is that clean EQs are best for cutting and EQs that provide color and character are preferable for boosting. But in mixing, there really aren’t any rules. The best thing to do is experiment to find out what sounds best!
Why use a linear phase EQ?
They maintain coherence and phase relationship of source signals. It maintains the character of transients and keeps everything clear and punchy.
