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The best audio interfaces for songwriters

If you’re a songwriter putting your all into your craft, shopping around for audio interfaces can be a daunting task.

With a wide range of interfaces available on the market today, we completely understand the need for a unit that fits your needs for recording demos to send to clients, or to add to your catalog that won’t break the bank, but still meets all of the standard audio requirements of the modern industry.

And with loads of new audio tech being released by the dozens, seemingly every week, it can be a hard feat to find your needle in the haystack

When buying a new audio interface there are a few things that you should consider. For example, it’s worth thinking about the number of inputs that you need.

Many songwriters will only need one or two, but some might need more. It’s also worth thinking about how the interface connects to your computer. Most these days use some form of USB, whether it’s the old-style USB-A connector or the new USB-C connector.

We, however, have got you covered — here are the best interfaces you can buy on the market today that will fit all of your recording needs, and maybe even more so.

Best interface for songwriters: MOTU M4

motu m4 4 in 4 out audio interface
Best interface for songwriters
MOTU M4
This 4-in/4-out interface comes with crystal clear converters, versatile I/O, and a durable metal enclosure for under $300.
Pros
Same DAC found in much more expensive MOTU models
Robust I/O for a smaller interface
Plug-and-play through USB-C or USB 2.0
Rugged metal enclosure
Cons
Some songwriters might prefer more than 4 channels
Best of 2024 Award

MOTU has always been known for the value they pack into their audio interfaces. They’ve always used some of the best converters, but their products were out of the price range of a lot of singer-songwriters.

The M series changed that. Available in options with six, four, or two I/O configurations they feature the same ESS Sabre32 digital-analog converters found in MOTU interfaces that cost five times as much.

With four ins and outs the M4 is an affordable model that packs in a lot of value for singer-songwriters and those getting started in home recording. The I/O set is versatile and allows you to integrate other gear like you normally only find in much more expensive interfaces.

Best interface for songwriters: PreSonus AudioBox iOne

PreSonus AudioBox One audio interface
Best interface for songwriters
PreSonus AudioBox iOne
A small but might single-channel interface great for demoing without spending too much budget.
Pros
Works with computers and mobile devices
Microphone and instrument inputs
Studio-grade conversion
Robust DAW and plugin bundle included
Cons
Single input

For songwriters who have a very small amount of instruments to work with, or those who always record demos one track at a time, the PreSonus AudioBox iOne is a perfect tool.

It has a very user-friendly layout with one XLR mic input, and one 1/4″ line input right on the front of its face. It also contains a single pre-amp for your microphone input, and a line-level controller for your instrument.

Towards the right hand side, you can find a large knob for your monitor level, and a small knob and input for headphones

In the end, if you’re a songwriter who only needs a simplistic setup to get your stuff recorded for your personal library of songs, or for sending to potential clients, the PreSonus AudioBox iOne is an affordable and versatile option.

Best dual-input interface for songwriters: Scarlett 2i2

Focusrite Scarlett 2i2 audio Interface
Best dual-input interface for songwriters
Scarlett 2i2
This sleek interface offers two channels and unique features like Air Mode, Clip Safe, and dynamic gain halos for monitoring.
Pros
Detailed preamps
120dB dynamic range
Unique Air Mode adds presence and warmth to signal
Clip Safe automatic gain adjustment
Cons
Two inputs can be limiting

If you’ve had a simple one-input setup for a while now, and are ready to upgrade — or even if you already know you need something with two available microphone preamps, your best bet is definitely going to be with the Scarlett 2i2.

This interface is widely popular among songwriters and home recording engineers as a way to record up to two microphone inputs at a time that rides in tandem with Scarlett’s great-sounding preamps and signal processing.

Instead of allocating inputs to a specific XLR or 1/4″ connector type, this interface comes with hybrid inputs so you can plug in either one. The two available gain knobs are also color-light assisted, so you can easily tell if you are in the green, orange, or red without having to consult your DAW every time.

Like the PreSonus AudioBox iOne, this interface also comes with a monitor level knob, and headphones output. With its two-input versatility, this box is great for songwriters out there who need the flexibility of recording a piano track with a singer at the same time, or so to speak.

Best of all, the Scarlett 2i2 is also very affordable and looks beautiful on your desk as well.

Best small-group recording interface: Tascam 4×4

Tascam 4x4 audio Interface
Best small-group recording interface
Tascam 4×4
A bare-bones four-channel interface that comes with multiple routing options and a good software bundle.
Pros
4-in/4-out offers multiple routing options
MIDI I/O
Works with computers and mobile devices
Good amount of software bundled
Loopback for streaming
Cons
Doesn’t offer as many features as other options

Although its design is quite simple and bare, the Tascam 4×4 is an amazing recording interface for your small-group live recording situations. This device contains four individual inputs and preamps, equipped for XLR or 1/4″ connectors.

Its preamps sound colorful, but won’t affect the input signal to a degree beyond expectation. It’s also equipped to apply phantom power to all inputs as a whole, so you can easily record with a condenser microphone alongside some dynamic microphones easily.

Although, because it applies to all four inputs, we don’t recommend using ribbon microphones alongside a condenser using this interface, since you could easily burn its internal components.

On the back end, the Tascam 4×4 sports two sets of stereo outputs which can be used to send to main output monitors, and to an external source as well.

If you have a very small group with two to three performers to record with a simplistic setup, this interface is right for you.

Best interface for recording a small band: PreSonus Studio 1810c

PreSonus Studio 1810c audio interface
Best interface for recording a small band
PreSonus Studio 1810c
One of the best 8-channel interfaces for singer-songwriters offers crystal clean preamps, versatile I/O, and over $1,000 of bundled software.
Pros
Enough inputs to record a full band
Easy-to-read front panel LED metering
Clean XMAX preamps
Flexible routing options
Cons
Might not offer enough extra features for some

If you need an interface that blends multi-input capability, and supports the absolute latest that technology has to offer, the PreSonus Studio 1810c is a great go-to interface.

It’s the newest interface on the list, and allows four hybrid inputs at the front, and allocates an extra four 1/4″ line inputs around back so your smaller band can be easily recorded all at once.

Phantom power can be applied to all four inputs at once, and it even has MIDI and S/PDIF digital inputs around back for even more versatility. Because of its modern-day build, this interface connects to your computer via USB-C for a stunningly fast digital connection.

Best full-band recording interface: MOTU 8pre USB

MOTU 8pre USB audio Interface
Best full-band recording interface
MOTU 8pre USB
A great option for recording a full band with simple features and a great sound.
Pros
Two banks of ADAT ports open up external gear integrations
Cons
Other 8-channel interfaces offer more in-depth features

If you’re a songwriter that regularly records your own band, or are otherwise in a situation where you need more than four simultaneous XLR inputs and preamps running at the same time, the MOTU 8pre USB is one of the best audio interfaces for the job.

It has eight hybrid input connectors at the back of the unit, meaning you can plug in up to eight microphones and run them all simultaneously. Additionally, something that sets this unit apart from the rest is the ability to apply phantom power to each individual input, rather than to all of them as a whole.

The MOTU 8pre also comes equipped with a station to select and monitor your clock, and includes MIDI I/O and optical I/O on the back as well for additional inputs.

This interface connects to your computer via Firewire, and although it is not as up-to-date technology wise, for purposes of simple recordings, this will definitely do just fine for all intents and purposes.

FAQ

What is an audio interface, and why do I need one as a singer-songwriter?

An audio interface is a device that converts analog signals (like your voice or guitar) into digital data that your computer can record and process. For singer-songwriters, it’s essential because it allows you to record high-quality audio, whether it’s vocals, guitar, or other instruments, directly into your DAW (Digital Audio Workstation) for mixing and editing.

Are there interfaces specifically designed for singer-songwriters?

Some interfaces are particularly popular with singer-songwriters due to their simplicity and specific features. Sound quality and portability for solo recording is one of the most important things to consider when shopping around for the best audio interfaces for singer-songwriters..

Do I need a high-end audio interface to get professional-sounding recordings?

Most affordable interfaces provide excellent sound quality for singer-songwriters. While high-end interfaces offer more features and slightly better sound, you can achieve professional results with a mid-range or even budget interface if you use the right microphones and recording techniques.

Jimmy Byrne

Jimmy Byrne is a music producer, audio engineer, and musician living in Chicago, IL. Under his own company ByrneOut Productions, he has worked with a variety of artists & bands from throughout the US on the overall production and studio recording of their music as well as other audio-related projects. Looking ahead, Jimmy hopes to continue growing his career and company, build professional relationships with musicians and other industry professionals, and somehow leave his mark in this ever-changing industry.

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